Neil Bartlett has been making rule-breaking theatre and performance since 1983. After a controversial early career he was appointed Artistic Director of the Lyric Hammersmith in London in 1994; since leaving the Lyric in 2005 major cultural producers he has worked for include the National, the Abbey in Dublin, the Bristol Old Vic , the Manchester Royal Exchange, the Edinburgh International, Manchester International , Brighton ,Aldeburgh and Holland Festivals , the Wellcome Foundation and Tate Britain .
Neil is also an acclaimed author, with a whole shelf of novels, plays, adaptations and translations to his name. His most recent novel, The Disappearance Boy, earnt him a nomination as Stonewall Author of the Year in 2014 – and his very first novel, Ready to Catch Him Should He Fall, has just been republished ( 2017) by Profile as a Serpents Tail Classic
Tenebrae; Lessons Learnt in Darkness
Created in and for a time of lockdown, Neil’s first new work since the beginning of the pandemic was a love-letter to an empty theatre. Commissioned by the Brighton Festival 2021, it took over the city’s dark and deserted Theatre Royal and for just one day – from dawn to sunset – made it a space for reflection on the year that we have all just been through. Working with an extraordinary team of collaborators – including a team of fifteen writers from the city, people whose voices came some of the communities hardest hit by the pandemic – Bartlett filled the theatre with an epic and ever-shifting landscape of sound and light, using the empty and abandoned auditorium that has seen so much of his work in the past to bear a very particular kind of witness to not just our losses, but also our strength. You can find out more about the work here.
ADDRESS BOOK – Neil’s fifth full-length fiction – will be published by Inkandescent in November 2021. You can hear Neil talking about the book here.
For one week only – in September 2021 – renowned performance provocateurs DUCKIE took to the streets and back alleys of South London’s Vauxhall to celebrate the wild and wonderful heritage of queer life in the eighteenth century – and Neil was commissioned to provide the finale for the evening. Re-imagining a night in a Georgian Molly-House, he brought together the sublime voice of singer Francois Testory, the lip-sync wizardy of Dickie Beau and a pair of blushing, beyond-gender “brides” to create a heartfelt tribute to all the lovers of London……. and brought the house down.
Neil has just written a new introduction to the final volume of Derek Jarman’s journals, SMILING IN SLOW MOTION – a highly personal reflection on his meetings with Jarman and on the UK AIDS epidemic in the midst of which they met.
Also on the queer front….;
Two of Neil’s pieces have been included in Oberon’s new collection of QUEER MONOLOGUES edited by the brave and beautiful SCOTTEE
and….Neil has also written the introduction for the re-issue of Jean Genet’s astonishing novel FUNERAL RITES by Faber and Faber . A great honour- to be part of bringing a great writer ( and one of Neil’s heroes) to new readers.
TWENTY-FOUR HOURS OF PEACE…
…a twenty-four-long performance; 48 actors; 237,000 words. This extraordinary one-off event – Neil’s biggest-ever piece of work in a theatre – went live on Remembrance Sunday 2019 at the Royal Exchange Theatre in Manchester. Three thousand people turned up to the live event ; tens of thousands listened to a live simultaneous broadcast on Resonance FM. Performers in the event included Toby Jones, Maggie Steed, Miranda Richardson, Julie Hesmondhalgh, Liz Carr, Adjoa Andoh…and 22 community members from across the city. Neil himself performed – at four in the morning. You can find out more about the show – and access the full 24 hours of the live recording – here.
“Bartlett’s stripped-back production feels universal – but also especially relevant” The Observer, July 2020
The piece of Bartlett’s work that everybody is talking about just now – as we all struggle to come to terms with the Covid19 pandemic- is his powerful and timely adaptation of Albert’s Camus’s novel THE PLAGUE. This was originally premiered on stage to sell-out audiences at the Arcola Theatre in London back in 2017, and was revived there in 2018. In July 2020, it reached a whole new audience when it was broadcast by BBC Radio 4 as a made-in-lockdown radio drama – a production which shared an Outstanding Achievement Award in the 2021 BBC Audio Drama Awards. Meanwhile, the script has been performed in countries around the world, from Israel to Hong Kong to New Zealand. Because of all this interest, the script of THE PLAGUE has now sold out it’s entire print run. However, if you are a theatre or producer wanting to read the script with a view to production, please contact Neil’s agent here , asking him to send you an electronic copy – and meanwhile, you see can see and hear Neil talking about the original stage production in rehearsal here – and the radio version is available online via the BBC.
The Importance of Being Earnest
Just before the London theatres went dark in March 2020 , Neil worked with a company of eight students and up-and-coming young designer Grace Venning to create a dramatic new staging of Wilde’s last play in the Vanbrugh Theatre at RADA . A bare black stage – an axe, amongst the tinkling of teacups – and a thousand pink roses falling from the ceiling provided the setting for a suitably sensational and heartfelt tribute to one of the writers Neil has been most closely associated with throughout his career.
MEDEA, WRITTEN IN RAGE
A sensational one-man re-invention of the classic Greek legend of otherness, rage and transgression. Text and staging by Neil Bartlett ( translated and adapted from the 2014 French play by J.R.Lemoine) ; solo performance by Francois Testory ; live electronic soundscape by Phillipe Von – and gown by the legendary Mr Pearl. MEDEA WRITTEN IN RAGE opened at The Place in London and then went on an acclaimed seven-city British tour in the autumn of 2017. The final UK performance of the piece was given on the closing Saturday night of the 2018 Brighton Festival, at Brighton’s Theatre Royal.
You can see some clips from the show and hear some audience reaction to the opening night performance here.
A VISION OF LOVE REVEALED IN SLEEP
A VISION OF LOVE REVEALED IN SLEEP AT THE TATE
In July 2017 Neil was invited to revive his notorious 1987 solo performance piece in the extraordinary surroundings of the pre-Raphaelite gallery in Tate Britain. The piece – dedicated to the queer Victorian painter Simeon Solomon – was first staged at the height of the first wave of the British AIDS epidemic , and this one-night only performance is an extraordinary chance to see the work again over thirty years later. You can watch a documentary film of the performance here.
You can also watch a short film of Neil talking about the show with Dominic Johnson here.
A solo six-hour live performance of Oscar Wilde’s love letter to Lord Alfred Douglas, performed in the chapel of Reading Gaol on September 4th 2016. Produced by Artangel as part of their installation project INSIDE. Bartlett’s marathon performance is now available online, and has been watched around the world.
Ready to Catch Him Should He Fall
Neil Bartlett’s first novel has just been re-issued in a new edition, with a specially written preface by the author reflecting on the changes in queer life and culture that have taken place since this groundbreaking book first appeared in 1990.
The Disappearance Boy
Neil’s new novel was published in August 2014 by Bloomsbury, and reissued in paperback in 2015. Bartlett’s fourth novel earnt him a nomination as Stonewall Author of the Year alongside Sarah Waters and Armitstead Maupin.
A new theatre piece by Neil Bartlett – inspired by the life and death of Victorian corss-dresser Ernest Boulton – opened at the Brighton Festival 2016 at the Brighton Theatre Royal; it then transferred to Hoxton Hall in London as part of the 2016 London International Festival of Theatre, and then finally played three sold-out shows at the Holland Festival (Amsterdam).
Would You Mind?
A new installation by Neil Bartlett was on display at The Wellcome Institute in London from April to September 2015 – a contemporary sex survey, displaying the private thoughts of over fifteen thousand members of the public.